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KANYE HUMBLES HIMSELF FOR THE NEW COMPLEX MAGAZINE


Chicago MC Kanye West has been called alot of things throughout his career and "humble" has not been one of them.

The "Stronger" hitmaker is usually perceived as a massive egomaniac, in a recent interview with Complex Magazine however, he is everything but.

West says his perception of things hit a turning point after the death of his mother, Dr. Donda West.

"My mom passing and getting out of certain situations and just being myself. Just getting the opportunity to be me and not be concerned about what people are going to say about things—to be my own worst critic. Like, I look at my Grammy speech from last year and I cringe" said Kanye.

"Me and Common always had an inside joke about releasing albums in different years, and it came off completely wrong. Nobody got it and it made me look like a complete asshole, and it just confirmed that Kanye’s arrogant and not appreciative. You should always be gracious in a situation like that because that’s their show. You know, who the fuck am I to feel like I have rights to any extra time when it’s their show? I came in as a bit of a hothead and now I’m completely respectful; I really have the opportunity to live my dreams out and have my Grammy moments and build a great relationship with these people. And I learned from that; I publicly apologized for it, and I apologized to Common for the way it sounded."

"I can be a very level-headed person. I would never spaz on MTV the way I did before."

"I feel like there are people who have given a lot to me and I wasn’t appreciative of them. MTV had a major part in making me, so how the hell could I ever come out my mouth and dis them and just be like the cry baby–ass bitch over one performance? How the hell is a 29-year-old grown-ass man acting like a little bitch and getting all emotional? How spoiled can I get?"

Kanye also explained why he doesn't bother responding to disses from other rappers.


"I feel like if a rapper disses me, they’re just trying to get a rise out of me and get me to play in their field to find some way that they can beat me. I feel like there’s a lot of rappers that can beat me in ignorance. So why would I play a sport that I’m not particularly trying to get better at or beaten in? There’s a lot of rappers that can beat me in ignorance, but there’s only a few that can play with true intellect. [Long pause.] How fucking perfect is that fucking answer?!"
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ALBUM REVIEW- WILLIE NELSON & ASLEEP AT THE WHEEL- WILLIE AND THE WHEEL


This record has a great story behind it. Jerry Wexler, the head of Atlantic Records head who coined the term “R&B” and consistently brought legendary talent to Atlantic to make some of the best records of their career, in true form had brought Willie Nelson to Atlantic Records and, among other projects, wanted to record a good album with Nelson during his time at the label. Wexler had even gone through his personal collection of Western Swing LP’s to pick out the songs he wanted him to re-do. Things in the record business however don’t always go as planned and, despite cutting the landmark Nelson albums Shotgun Willie, and Phases and Stages, Willie left Atlantic and went on to become an American icon without cutting the Western Swing record that Wexler envisioned him recording. When Wexler contacted Benson about the record in 2007, all parties involved agreed that it was time to finally do it, and Willie Nelson and Asleep at the Wheel cut Willie and The Wheel with Wexler serving as executive producer.

In my opinion, this record is sure to be one of the best records put out this year in any genre. It’s a music lover’s dream. And it’s not “as good as you’d expect a collaboration between Jerry Wexler, Willie Nelson, and Asleep at the Wheel that was 30 years in the making to be”–it’s better than you’d dare hope for one to be. Cop it!



To buy the album go to the link below or check itunes or something else...

http://www.amazon.com/Willie-Wheel-Nelson/dp/B001NKWLDA?tag=the9513-20
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FORGOTEN ARTIST: HANK PENNY


Even those of us who love Western Swing are forced to acknowledge that for that form, Bob Wills, much like Bob Marley for Reggae and Bill Monroe for Bluegrass, is the colossus against whom all other artists are compared. While others may occasionally break out of the shadow of the colossus, still the colossus remains.

In this subgenre, only Asleep at The Wheel can be said to have truly emerged from the shadow of Bob Wills. This is not to say there haven’t been other talented practitioners of the art. One of the best, although not necessarily the most successful, was Herbert Clayton “Hank” Penny.

Hank Penny was born on September 18, 1918, in Birmingham, AL. His father was a disabled coal miner who enjoyed music and poetry, and although he passed away in 1928, it was not before sparking similar interests in his son. By the time Penny was 15, he was appearing on local radio.

In 1936, Penny relocated to New Orleans, where he performed on WWL as a solo performer and became familiar with Cajun music and such Western Swing pioneers as Bob Wills, Milton Brown and Cliff Bruner. Two years later Penny returned to Birmingham where he formed the Radio Cowboys. Penny’s first recordings occurred during this time, with Hall of Famer Art Satherly serving as producer on numbers like “When I Take My Sugar to Tea” and Penny’s own composition “Flamin’ Mamie.”

Eventually, Penny and his group joined the cast of an Atlanta-based program titled Crossroad Follies. While none of his original band members achieved any lasting fame, two of his newer members would become quite famous: steel guitarist Noel Boggs and fiddle player Boudleaux Bryant. (Bryant did not achieve great fame as a fiddle player; however, as the songwriter who penned such songs as “Wake Up Little Susie,” “Bye Bye Love,” “Hey Joe,” and “Rocky Top” he may be eternally remembered.)

Penny moved his group to Nashville in 1939, reuniting with Art Satherley to record some more songs. He kept his group going until the mid-1940 when the loss of too many musicians to the WW2 draft forced him to dissolve the band. Penny remained in Chicago, working as a disc jockey before assembling a new group for a 1941 recording session in North Carolina, in which “Why Did I Cry” and “Lonesome Train Blues” were recorded.

Moving on to Cincinnati and radio station WLW, Penny formed a new band called the Plantation Boys, which worked with such King Records stars as Alton & Raban Delmore, Bradley Kincaid, Merle Travis and Marshall Louis “Grandpa” Jones, as well as WLW’s house pop singer Doris Day.

In 1944 Penny relocated to California where he met Spade Cooley’s former manager, Foreman Phillips, with whom he had a brief business relationship. After splitting with Phillips, Penny briefly fronted an all-girl band at a Los Angeles club before being approached by Bobbie Bennett, Spade Cooley’s manager, to lead one of several groups (one led by Maurice W. “Tex” Ritter and the other led by Merle Travis) formed to play at the bookings Spade and his group were themselves too busy to fulfill. Penny’s group was known as the Painted Post Rangers. This group scored a pair of chart hits with “Steel Guitar Stomp” and “Get Yourself a Redhead.”

Hank tended to move around quite a bit during his career, seemingly never staying anywhere for very long. In 1946 he joined Slim Duncan’s ABC network show Roundup Time, as a comedian. After stints in Cincinnati and Arlington (VA), he returned to California and worked as a disc jockey and formed another band, the Penny Serenaders, which featured guitarist Speedy West. He also opened his own nightclub.

By June 1948, Penny had joined Spade Cooley’s television program, where he performed as a comedian best known for his backwoods character “That Plain Ol’ Country Boy.” Soon he again entered the studio to record some songs, including “Hillbilly Bebop,” the first known bop effort cut by a country act, and his 1950 hit “Bloodshot Eyes.”

Shortly thereafter, he opened another nightclub, the legendary Palomino and reformed his Penny Serenaders. This version of the group featured singer Mary Morgan, shortly to become known as Jaye P. Morgan (Ms. Morgan became a very popular pop vocalist in 1954-1957 and eventually appeared on the television smash The Gong Show). The group issued “Remington Ride” and “Wham Bam! Thank You, Ma’am” before dissolving and then reforming again, with guitarist Billy Strange and steel guitar ace Joaquin Murphy as featured musicians.

In 1952, Penny left Spade to join the cast of another television program. Shortly thereafter he hosted his own show The Hank Penny Show, which was canceled after seven weeks.

Penny came as close to settling down as he ever would when he moved to Las Vegas in 1954, where he began a seven-year run as a performer at the Golden Nugget Casino, fronting a band which briefly included Roy Clark. He also continued to record, even cutting a jazz record in 1961 and later a comedy album.

Penny moved to Carson City, NV in 1970 to begin performing with his protégé, Thom Bresh, the illegitimate son of Merle Travis. Eventually he turned his band over to Bresh, moving to Nashville, where he was rumored to be in the running for the slot of Buck Owens’ co-host on Hee Haw (he lost out to his former sideman Roy Clark). After a tenure on radio in Wichita, KS, he returned to California in the mid-’70s, and went into semi-retirement. Hank Penny died of a heart attack on April 17, 1992 a the age of 73.

If Hank Penny is remembered at all today, it often is as the one-time husband of pop singer Sue Thompson (the fourth of his five wives) who had major pop hits in the early 1960s with “Norman” and “Sad Movies.” Too bad, as Hank Penny was a multi-talented, multi-faceted performer.
Discography

Hank Penny: King of Hillbilly Bebop - this two CD set, issued on the British label Proper in 2003, is probably the best set issued on Hank Penny in the CD era. Containing 50 tracks, it is a representative sample of Penny’s work from 1938 to 1952 and includes all three of his Billboard charting singles (all of which reached #4): “Steel Guitar Stomp,” “Get Yourself A Redhead,” and “Bloodshot Eyes.”

-FROM CMT
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MACK 10 FEAT. LIL' WAYNE & JIM JONES- SO SHARP


West Coast legend Mack 10 with Lil' Wayne and Jim Jones. 2009. Click through the crap to get to the song. Free download. Damn, I am so well spoken...
http://www.zshare.net/download/57449405aa88e290/
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FREE DOWNLOAD- FAT JOE- HEY JOE


Fat Joe comes through with Hey Joe. Free download. Click the link and deal with the bullshit that comes with zshare.com and you can hear it too...

http://www.zshare.net/download/5735023422b32e89/
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BLAKE LIVELY AND LEIGHTON MEESTER X ROLLING STONE COVER


Blake Lively and Leighton Meester on the cover of the forthcoming Rolling Stone magazine. Gossip Girl babes. True story...
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CARINE ROITFELD X CNN




CNN recently aired a documentary on Vogue Paris' Editor in Chief Carine Roitfeld. The 3 part video shows a lot about her and the Paris fashion scene. Give it a watch...
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GOD WENT SURFING WITH THE DEVIL TRAILER

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LINDSAY LOHAN X NYLON COVER


My babe on the cover of the upcoming Nylon Magazine. Get with it...
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SIN NOMBRE TRAILER


Eye-opening, ground-level look at the journey of Central American immigrants through Mexico on their way to the U.S. is made all the more compelling by the young director’s remarkable grasp of narrative shorthand and character.
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NIKE AGASSI AIR TECH CHALLENGE HYBRID 2


Here is the other of the 2 recently leaked photos of the Nike Air Tech Challenge Hybrids that are coming out later this year. They are a mix of all the Agassi Air Tech Challenges mixed together into one shoe. I used to hate all the hybrids but the last couple things Nike has come up with ave been surprisingly decent. I will cop these for sure. More info and photos when they come.
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NIKE AGASSI AIR TECH CHALLENGE HYBRID 1


Here is one of the 2 recently leaked photos of the Nike Air Tech Challenge Hybrids that are coming out later this year. They are a mix of all the Agassi Air Tech Challenges mixed together into one shoe. I used to hate all the hybrids but the last couple things Nike has come up with ave been surprisingly decent. I will cop these for sure. More info and photos when they come.
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SAVED TATTOO SHOP TO OPEN NEW LOCATION IN NOHO


Tattoo Artist Scott Campbell of Saved Tattoo in Williamsburg is opening a second shop in Noho in the basement of Smile. Expect it to open later this year. For more info about Scott Campbell check the post about him earlier this week...

http://www.cloutonline.com/?q=node/2342
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FREE DOWNLOAD- PIMP C FEAT. LIL' WAYNE- LET'S TALK MONEY



Click the link below to download the new song. It is from late, great rapper Pimp C featuring Lil' Wayne.
http://www.zshare.net/audio/57362157aafb1adc/
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THE CLEVELAND SHOW- FAMILY GUY SPIN-OFF


Video Provided by DatPiff.com

The Success of the show Family Guy has already created another show; American Dad. Now it has created another show, this time a spin-off of the Family Guy Series, giving one of the cast their own show. His neighbor from across the street, Cleveland, gets his own show starting later this year. Looks to be pretty funny. Check the clip. More info as soon as I get any.
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NIKE LEBRON ZOOM SOLIDER III


Set to come out later this year are the Lebron Zoom Solider 3s. Check the photo. More after the drop...
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CLOUT EXCLUSIVE LIFE LOSERS/TSL INTERVIEW!!!



Most interviews you read are by someone who has spent years interviewing people and usually has met the person they're interviewing once or twice, solely for the purpose of interviewing them. To me the best interviews are conversations between 2 people who have had a long relationship. I have known Life about as long as I can remember and he's one of the most interesting people I have ever known. Today, March 19th 2009, we sat down and had a conversation. Here's what transpired...



PHILTHY RICH- YOU DON'T SEEM LIKE SOMEONE WHO WOULD NORMALLY DO AN INTERVIEW OR PUT YOURSELF IN THE SPOTLIGHT. WHY DO AN INTERVIEW NOW? WHY NEVER BEFORE?

LIFE- FUCK, I GOT NOTHING BETTER TO DO. I THINK I DID ONE FOR SOME LITTLE WEBSITE BEFORE, BUT I THINK THE 17 YEAR OLD KID WHO RAN IT GOT GROUNDED AND HIS MOM TOOK IT OFF THE INTERNET. ALSO, I NEED THE ATTENTION. I'M JUST NOT GETTING IT AT HOME.

PR- HOME IS PORTLAND, OREGON BUT YOU'RE ORIGINALLY FROM MEDFORD IN SOUTHERN OREGON. I HAVE TO SAY, THAT IS ONE OF THE TRASHIEST, BEST PLACES I HAVE EVER BEEN. WHAT DO YOU MISS MOST ABOUT THE 'FERD?

L- OH IT IS ONE OF THE TRASHIEST PLACES EVER. I WOULDN'T SAY I MISS TOO MUCH ABOUT IT. I HAD SOME REALLY GOOD TIMES THERE. I MISS MY FRIENDS THE MOST, BUT THEY ALL HAVE DRUG PROBLEMS AND 1000 KIDS A PIECE NOW, SO FUCK THAT. THE BEST PART ABOUT IT WAS THE PEOPLE. SO MANY TRASHY, DISGUSTING PEOPLE DOING AWFUL THINGS ALL DAY LONG. THAT WAS COOL. SO WAS THE YARD WE HAD. OTHER THAN THAT, BLOW THAT PLACE UP.

PR- YA THE YARD WAS ONE OF THE COOLEST PLACES I'VE PAINTED IN THE U.S. WHAT DO YOU THINK ABOUT THE PORTLAND SCENE?


L- I DUNNO, I DONT PAY MUCH ATTENTION TO SHIT. THERE'S A FEW GOOD DUDES DOING QUALITY STUFF, AND THANKFULLY I CAN CALL THOSE PEOPLE MY FRIENDS. I DON'T LIKE PEOPLE AT ALL REALLY. ANYONE THAT KNOWS ME WILL TELL YOU I'M NOT THAT NICE. I'M NOT TRYING TO MAKE ANY NEW FRIENDS THOUGH GRAFFITI SO I DON"T KNOW ABOUT THE "SCENE." I"M NOT TRYING TO HANG OUT WITH 18 YEAR OLD KIDS AND DO BLOW ALL NIGHT SO THAT LIMITS ME.

PR- HAHAHA. TRUE. WHAT ABOUT THE GRAFFITI SCENE AS A WHOLE? IS THERE ANYONE WHO INFLUENCED YOU WHEN YOU STARTED OR THROUGHOUT YOUR "CAREER"? IS THERE ANYONE WHO'S SHIT YOU REALLY LIKE?

L- GOD, THIS QUESTION? UM, I LIVED IN BETWEEN PORTLAND AND THE BAY AREA, ANY ONE PAINTING TRAINS IN '99 IN THOSE AREAS CAUGHT MY ATTENTION.


PR- HAD TO ASK YOU AT LEAST ONE OF THE TYPICAL "GRAFF INTERVIEW" QUESTIONS. GRAFFITI ISN'T REALLY A HUGE PART OF YOUR LIFE AND IT'S NOT SOMETHING YOU TAKE SUPER SERIOUS, BUT OTHER PEOPLE ACT LIKE IT'S THE COOLEST, MOST SERIOUS THING IN THE WORLD. WHAT DIFFERENTIATES YOU FROM "THOSE" PEOPLE?
'
L- WELL, I THINK GRAFFITI IS FUN AND ITS DEFINITLEY SOMETHING THAT SAVED ME FROM DOING DRUGS OR HAVING KIDS AND STAYING IN THE FUCKED UP TOWN I GREW UP IN, BUT IT'S ALSO A HUGE PAIN IN THE ASS. I DON'T THINK SOMEONE IS ANY COOLER BECAUSE THEY DO A TON OF GRAFF. 98% OF THE PEOPLE I HAVE MET THROUGH GRAFF ARE FUCKING MORONS. WE HAVE ONE THING IN COMMON. GREAT. BUT YOU'RE A FUCKING DOUCHE BAG. I DON'T LIKE TO TALK ABOUT GRAFFITI. WHAT IS THERE TO SAY? IT WAS NEVER ABOUT THAT TO ME. I GUESS I JUST HAVE BETTER THINGS TO WORRY ABOUT. STRESSING OVER GRAFFITI AND TALKING ABOUT IT JUST LEADS TO DUMB PROBLEMS THAT CAN BE AVOIDED. MY STANCE ON IT PISSES PEOPLE OFF BECAUSE THEY THINK I'M SHITTING ON THEM BY SAYING THIS TYPE OF SHIT. WHATEVER. DON'T TAKE YOURSELF SO SERIOUSLY. ITS FUCKING GRAFFITI, NOT A TRIATHLON.



PR- I COULDN'T AGREE WITH YOU MORE. IT SEEMS LIKE THERE'S THESE "SUPER SERIOUS" PEOPLE EVERYWHERE THROUGHOUT THE U.S. TOO. YOU'VE BEEN FROM COAST TO COAST, AND A BUNCH OF PLACES IN BETWEEN; WHERE IS YOUR FAVORITE PLACE YOU HAVE BEEN? AS FAR AS GRAFFITI GOES AS WELL AS WHERE DO YOU LIKE FOR EVERYTHING ELSE?

L- GRAFF IS THE SAME EVERYWHERE. AT LEAST AS FAR AS THE KIDS DOING IT. SPOTS ARE SPOTS. THE EAST COAST HAS FAR MORE GRAFFITI THAN THE WEST COAST. BUT I THINK THE WEST COAST HAS PROGRESSED MORE IN TERMS OF STYLE. EITHER WAY, I'M NO FUCKING STYLE MASTER SO MY OPINION IS PRETTY INVALID. AS FAR AS PLACES I HAVE BEEN THAT I LIKE, ANYWHERE WITH GOOD FOOD AND FRIENDS. I'M SICK OF THE NORTHWEST. THERE IS NOTHING TO DO UP HERE. OH YEAH, FUCK CALIFORNIA. ALL OF IT. DOES THAT ANSWER YOUR QUESTION?

PR- BASICALLY, BUT CALI IS THE SHIT! STYLE-WISE, YOU'RE GRAFFITI IS VERY BIG AND VERY LEGIBLE. HOW COME YOU NEVER REALLY GOT INTO DOING "WILD STYLE", TECHNICAL PIECES?

L- BECAUSE I CAN'T. HAHA. ALSO, BECAUSE ALL I HAD TO LOOK AT WHEN I GOT INTO GRAFFITI WERE FREIGHT TRAINS BLASTING BY MY HOUSE AT 50 MPH. THE ONLY SHIT I LIKED OR PAYED ATTENTION TO WERE THE ONES I COULD READ. I FIGURED, WHATS THE POINT OF GETTING ALL WILD WHEN SOME NORMAL PERSON CAN'T READ YOUR SHIT. MY MOM WORKED ACROSS THE STREET FROM THE MAINLINE TOO, AND SHE WOULD TELL ME WHEN MY TRAINS ROLLED BY. I DON'T DRAW EITHER. I CAN'T DO IT. I HAVE RESPECT FOR PEOPLE WHO CAN DO COMPLICATED SHIT, BUT THAT'S NOT ME.

PR- REMEMBER THAT ONE TECH PIECE YOU DID ON A FREIGHT THAT POPPED UP YEARS LATER ON THE INTERNET SOMEWHERE AND I FOUND IT AND NEVER LET YOU LIVE IT DOWN?

L- HAHAH. YEAH, THAT BURNER? MAN, PRETTY EMBARASSING. THAT SHIT WAS MY SCREEN SAVER FOR LIKE A MONTH. I NEED TO DO MORE STUFF LIKE THAT. WAIT, I THINK HALF THE KIDS IN AMERICA ARE DOING THOSE TYPES OF PIECES NOW. NEVERMIND. SEE THAT'S WHAT HAPPENS WHEN I TRY TO GET LOOSE.


PR- DOES IT BOTHER YOU THEY BIT YOUR STYLE?

L- IM PRETTY UPSET ABOUT IT, YEAH. ITS COOL THOUGH. MAKES ME FEEL INFLUENTIAL.

L- YOU HEAR ABOUT RIANNA AND YOUR BOY CHRIS BROWN?

PR- YA. THAT HE BEAT THE SHIT OUTTA HER AND THEN THEY GOT BACK TOGETHER AND ARE POSSIBLY MARRIED A FEW DAYS LATER?

L- NAH, I JUST SAW THAT SHE DUMPED HIM. OH, AND SHE GOT PULLED OVER THE OTHER NIGHT.

PR- BESIDES THEM AND BOYS 2 MEN, WHO ARE THE BEST R' N' B ARTISTS OF ALL TIME?

L- KELLZ. USHER.


PR- TRUE. YOU WERE IN A GRINDCORE BAND FOR A LONG TIME. DO YOU STILL LISTEN TO GRINDCORE OR IS IT STRICTLY USHER AND R. KELLY?

L- BOTH, MORE INTO OLD STUFF I GREW UP ON AS OF LATE. CRO-MAGS, YOUTH OF TODAY, GORILLA BISCUITS, BLACK FLAG. KELLZ IS CURRENLY IN THE CHOCOLATE FACTORY WORKING ON A NEW ALBUM. SHOULD BE OUT THIS YEAR. LOOKING FORWARD TO THAT.

PR- ASIDE FROM MUSIC, WHAT ELSE ARE YOU INTO?

L- WELL I HAVE RECENTLY GIVEN UP DRINKING. THAT WAS A PRETTY BIG TIME CONSUMER. SO I HAVE BEEN TRYING TO FIGURE OUT BETTER WAYS TO OCCUPY MY TIME. I GO TO SCHOOL FULL TIME, SO THAT'S GOOD. KEEPS ME BUSY. I RIDE MY BIKE A LOT, SO THAT MAKES ME A TOTAL HIPSTER FAGGOT, WHICH I'M INTO. I STEAL A LOT OF SHIT OF THE INTERNET AS WELL. I AM VERY INTO SLEEPING TOO. BUT I DON'T THINK I'M AT YOUR LEVEL AT ALL. I REALLY NEED TO PUT SOME WORK INTO ACHIEVE YOUR STATUS IN THAT AREA.

PR- I DON'T THINK ANYONE CAN COMPETE WITH ME IN THE SLEEPING CATEGORY. I STILL CAN'T BELIEVE YOU STOPPED DRINKING. YOU WERE THE BIGGEST DRUNK I KNEW. WHAT THE FUCK ARE YOU GONNA DO NOW?

L- OH I HAVE BEEN SMOKING TONS OF HASH AND EATING PILLS. I CANT JUST UP AND QUIT EVERYHING. DRINKING WAS CAUSING ME ALOT OF GRIEF.

PR- HAHAHA. WHAT DO YOU THINK YOU'LL BE DOING 10 YEARS FROM NOW?

L-HOPEFULLY HAVING A GOOD JOB AND LIVING ON THE OTHER SIDE OF THE COUNTRY. NOT HAVING ANY KIDS. THAT'S A CRUCIAL QUESTION. WHAT IS THIS? A JOB INTERVIEW? THE FUCK YOU GONNA BE DOING IN 10 YEARS?

PR- HOPEFULLY LIVING OFF YOUR ACCOMPLISHMENTS.

L- OH MAN, THATS A GOOD ONE. TRUE. I'M TRYING TO LIVE OFF WIFEY'S ACCOMPLISHMENT THOUGH, MAYBE WE CAN FIT YOU IN THERE.


PR- SHIT, I HOPE SO! I AM SURE SHE WILL BE MUCH MORE SUCCESSFUL THAN BOTH OF US PUT TOGETHER! WHAT IS THE MARRIED LIFE LIKE? HAS IT CHANGED YOU AS A PERSON? AS A GRAFFITI WRITER?

L- BEING MARRIED IS GOOD. IT'S REALLY THE SAME THING AS BEFORE, I JUST HAVE TO SAY "MY WIFE" INSTEAD OF "MY GIRLFRIEND" NOW. I ALSO HAVE TO REALIZE SOMEONE DEPENDS ON ME FOR SHIT NOW, SO I CAN'T ACT LIKE AN IDIOT ALL THE TIME. AS FAR AS GRAFFITI GOES, I HAVE SLOWED DOWN QUITE A BIT. PROBATION WAS PARTLY RESPONSIBLE FOR THAT TOO. SHE ISN'T TRIPPING IF I PAINT THOUGH, SHE JUST DOESN'T WANT ME GOING OUT DRUNK AS FUCK, WHICH I UNDERSTAND. I DON'T THINK I HAVE EVER BEEN CAUGHT UP SOBER. EXCEPT THAT ONE TIME WE GOT PAINTED ON BY THE POLICE. AT LEAST WE DIDN'T GO TO JAIL THOUGH.



PR- OH FUCK, I FORGOT ABOUT THAT. THOSE WERE THE GOOD OLD DAYS. NOW THE COPS BEAT YOU UP AND TAKE YOU TO JAIL. THE LAWS ARE WORSE AND WORSE BY THE DAY. WHAT DO YOU MISS MOST ABOUT BACK THEN, GRAFFITI-WISE? WHAT'S THE BEST THING ABOUT GRAFFITI NOW?

L- BACK THEN ALL I DID WAS RACK AND PAINT. NO RESPONSIBILITY AT ALL. THAT WAS A GOOD FEELING. I PRETTY MUCH PUT EVERYTHING IN MY LIFE ON HOLD TO TRAVEL AND PAINT. IT WAS ONE OF THE BEST PERIODS IN MY LIFE. WE WERE PRETTY MUCH THE BIGGEST LOSERS IN THE WORLD. GRAFFITI IS SOMETHING I COULD REALLY GIVE 2 SHITS ABOUT THESE DAYS, I MEAN, IT'S STILL FUN AND EVERYTHING. I JUST HAVE MORE RESPONSIBILITY NOW. I KNOW PEOPLE WITH A LOT MORE TO LOSE THAN I DO AND STILL PAINT ALL THE TIME, AND THAT MAKES ME FEEL LIKE A PUSSY, BUT WHATEVER. I'M NOT GOING ANYWHERE IF AMERICAS NEXT TOP MODEL IS ON. OH THE BEST THING ABOUT IT?

PR- YA?

L- I DUNNO. I REALLY CAN'T SAY ANYTHING IS THAT GREAT WHEN COMPARED TO BACK THEN. I JUST LIKE TO SEE OLD SHIT AND THINK ABOUT WHERE OR WHEN IT I DID IT. THAT SOUNDS CHEEZY BUT WHATEVER. ALL THE SHIT THAT WENT INTO DOING A SPOT OR THE DUMB SHIT WE WOULD BE TALKING ABOUT WHEN WE PAINTED A CERTAIN TRAIN. THAT SHIT GETS ME PUMPED.

PR- YA ME TOO. THE EXPERIENCE OF IT...BUT THERE'S STILL ALWAYS MORE EXPERIENCES TO BE HAD. DO YOU THINK YOU WILL ALWAYS DO GRAFFITI HERE AND THERE OR DO YOU THINK AT SOME POINT YOU WILL QUIT ALL TOGETHER?

L- OH, I WILL ALWAYS DO IT. ITS SOMETHING I THINK ABOUT EVERYDAY. I DON'T THINK THAT WILL GO AWAY. THE MOTIVATION GOES AWAY AT TIMES, BUT IT ALWAYS COMES BACK. I'LL BE GOOD AS LONG AS I DON'T MEET ANY MORE NERDS WHO GET ME BUMMED ON IT.



PR- YA THE MAIN THING THAT RUINS IT FOR ME, ASIDE FROM THE OBVIOUS LEGAL REPERCUSSIONS, IS THE PEOPLE WHO DO IT/DID IT/THINK THEY DO IT. OK, SHOULD WE CALL IT A WRAP? IS THERE ANYTHING ELSE PEOPLE SHOULD KNOW ABOUT YOU ASIDE FROM THE FACT THAT YOU HATE EVERYONE BESIDES R. KELLY AND THAT YOU ARE A MARRIED BUM? SHOULD WE TELL THEM ABOUT HOW THE REASON YOU'RE SO GOOD AT GRAFFITI IS BECAUSE OF YOUR CROOKED EYE?

L- HAHAH. I THINK YOU SUMMED IT UP. IS THIS THE PART WHERE I DO "SHOUT OUTS"? NAH, FUCK THAT. THANKS FOR THE INTERVIEW. I COULD THANK OTHER PEOPLE FOR STUFF BUT THAT'S NOT ME. NO LOVE.

PR- NO LOVE EVER! THANKS DUDER!

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RAGING BULL DMP JORDAN 5- BLACK 3M






Last week I posted details about the Raging Bull DMP Pack releasing later this year, with the 2 Nike Air Jordan 5s. We all knew it was just a matter of time until pics of the 3M Air Jordan 5 were leaked, and I now have a few shots available for your viewing pleasure. You actually get to see them in chill mode and you also get to witness them in 3M reflective action. It’s definitely a sight to see...I can't wait for these to drop!
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VIDEO OF SCOTT CAMPBELL- TATTOOS AND LASERS

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TATTOOER SPOTLIGHT- SCOTT CAMBPELL


























Tattoo Artist Scott Campbell of Saved Tattoo in Williamsburg has tattooed Vera Wang, Helena Christensen, and much of Marc Jacobs's body, as well as a million other people. He is considered one of the best tattooers in the business. He has done shoes for Nike and had solo art shows around the U.S. and has tattooed in San Francisco and New York for around 10 years. His antiquated/traditional style of art and tattoos has become a staple in the tattoo world. Saved tattoo studio in Brooklyn is also an art gallery hosting many famous artists and tattooers. To contact him email him at info@scottcampbelltattoo.com. To check out saved go to www.savedtattoo.com
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